A form is made with clay, and then plaster is used to make a mold in that shape. Linen is affixed to the mold with Urushi, layered to the required thickness, and then the mold is removed. Further coats of Urushi are applied after that. The linen fibers are strengthened when the Urushi soaks into them, and the end result is sturdy, although the linen can be shaped with a great degree of freedom.
Maki-e is a distinctively Japanese Urushi work technique that is said to have developed around 1,200 years ago. It involves using a fine brush to paint a picture with lacquer on the surface of a vessel, and then sprinkling gold powder on the surface before the Urushi dries to create a design. The word maki means “to sprinkle” and e means “picture.” There are various styles including togidashi maki-e, hira maki-e, and taka maki-e.
- / Full member, Japan Kogei Association
Mainly applying the kanshitsu (dry-lacquer) technique, OGURA produces his works with motifs of flowers and natural scenery. He employs raden (mother-of-pearl inlay) and maki-e (sprinkled pict・・・